In Rawalpindi, Pakistan, Ahsan Shakeel, a 72-year-old antique restorer, continues to breathe new life into historical treasures, despite the decline of traditional craftsmanship. Operating from his workshop in the bustling Bhabra Bazaar, Shakeel is among the last of his kind, dedicated to preserving antique metalware in a world increasingly dominated by modern materials like stainless steel and plastic.
Shakeel’s journey began in 1980 after he left his job as a hotel cook to follow in his father’s footsteps. Today, he meticulously restores items such as brass pots, ewer jugs, and samovars, which reflect the rich metalcraft heritage of the Mughal and British colonial periods. “We’ve removed all the dents, but it still needs polishing,” he explained while working on a brass pot, showcasing the intricate skills required for his craft.
Preserving a Dying Craft
Rawalpindi’s history as a commercial hub has left a legacy of antique metalware, but these vintage items are becoming increasingly rare. Shakeel sources his materials from scrap yards and household clearances, often finding pieces in such poor condition that they are deemed unsellable. “Often, the condition of the items is so bad that no one would buy them,” he noted, highlighting the challenges faced by restorers today.
Alongside his colleague Shakeel Ahmed, the duo employs traditional techniques to restore these battered antiques. Their process includes hammering out dents, re-tinning interiors over coal fires, and polishing the metal to bring back its former glory. Depending on the extent of damage, restoration can take several days, with prices for finished pieces ranging from $100 to $1,000. Customers include collectors and antique enthusiasts, many of whom are foreigners.
Challenges in the Modern Market
Despite the rising prices of antiques, Shakeel has observed a decline in customer numbers. “The money doesn’t turn over quickly in this business. It’s a very slow trade,” he remarked, emphasizing the niche market for such items. He now relies heavily on online platforms and messaging applications to reach potential buyers, as his health limits his ability to travel as extensively as he once did.
Shakeel Ahmed, who also restores antiques, finds joy in the stories embedded within each piece. “What we do is like putting life back into the dead,” he said, reflecting on the historical significance of the objects they restore. As the last bastions of this craft, both restorers are committed to keeping the art alive, even as modernity threatens to overshadow their work.
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