Usher recently made headlines for opting out of his signature cherry-feeding stunt during a highly anticipated concert in Abu Dhabi. This choice not only sparked conversations about the artist’s relationship with his fans but also brought the spotlight to the nuanced challenges international performers face when navigating the cultural landscape of the United Arab Emirates (UAE).
At Club Social, located within Etihad Park on Yas Island, Usher addressed his audience, expressing his regret over the absence of the iconic act that has become a staple of his current tour. “I’m sorry, ladies and gentlemen. No, I will not be giving any cherries out tonight,” he informed them. The audience’s collective sigh underscored the popularity of the act, which Usher replaced with heartfelt sentiments: “But I have nothing but love for you. I give you my heart in exchange for the cherries.”
Usher apologizes and tells his female fans during his Abu Dhabi show that he won’t be feeding them cherries due to UAE’s strict public decency laws. pic.twitter.com/tZJbhhs2bd
— The Art Of Dialogue (@ArtOfDialogue_)
April 20, 2025
This responsible decision by the artist reflects the rigorous implications of the UAE’s Federal Penal Code, which prohibits “acts that violate public morality.” The consequences of such violations can range from hefty fines to imprisonment, an indication of how deeply ingrained these laws are in the fabric of Emirati society. They encompass a wide array of behaviors, including dress codes, public displays of affection, and, notably, the content of musical performances.
Many international performers, especially Black artists, often find themselves adapting their shows to respect local customs. This adaptation might include wearing more conservative clothing, altering dance routines, avoiding any direct physical interaction with attendees, and steering clear of explicit language or gestures. The overarching influence of the Telecommunications Regulatory Authority (TRA) only intensifies these adjustments, as it actively blocks access to online content deemed inappropriate.
Usher’s cherry-feeding act, typically characterized by a playful and suggestive interaction with a female fan, likely fell squarely within the scope of prohibited acts under UAE law. This incident resonates with prior occurrences in the region; a notable example being Beyoncé’s performance at the unofficial opening of Atlantis, the Royal Hotel in Dubai in January 2023, where she notably omitted performances from her album, *Renaissance*, a collection that celebrates Black and queer dance music pioneers and communities.
In the UAE, homosexuality is illegal and can carry severe penalties. While enforcement may not be consistent, the existence of such laws heavily influences artists’ decisions regarding their creative expression in the region. This struggle to balance individual artistry with local cultural norms raises eyebrows and questions about the role of artists as cultural ambassadors.
The ongoing debate about respecting local customs while advocating for universal human rights is one that has gained momentum over the years. Fans have increasingly urged artists to either consider the implications of performing in countries with questionable human rights records or to cancel such performances altogether. This pressure underscores a profound dilemma for artists: how to respect the diverse cultural attitudes in various regions without compromising their artistic integrity.
The complexities of these circumstances serve as a microcosm for larger conversations about artistic expression in a globalized world, highlighting the intricate dance between artistry, morality, and societal expectations. The choices that artists like Usher make, particularly in sensitive regions, continue to influence perceptions around art, morality, and the universal longing for connection through music.
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