**Celebrating Diversity at the Philippine Pavilion of World Art Dubai 2025**
Under the vibrant tapestry of artistic expression, the Philippine Pavilion at the upcoming “World Art Dubai (WAD) 2025” promises to be a unique celebration of culture and creativity. With forty-five talented visual artists hailing from various backgrounds and orientations, this event is set to showcase the depth and richness of Filipino art, untainted by divisions of color or creed. Spearheading this initiative is a collective of artists striving to encapsulate a space that nurtures creativity, even among the humblest and lowliest, as they embark on this international platform.
One of the voices from this vibrant collective is Dante Enage, founder of the Kolor Han Biswal Art Nga Waraynon. Sharing his feelings about being selected to represent his nation at such a prestigious event, he expressed, “It is a privilege to be among the chosen at an international platform for those who have made it.” Enage, who represents the Leyte Province, is proud to work alongside the youngest member of their group, surrealist Keenan Garrido, a promising 21-year-old artist making his second exhibition appearance.
Reflecting on the Philippine arts market, Mariya Anna Mata, curator of Ouvre Gallerie in Metro Manila, lauds the community of primera clase connoisseurs who actively support local talent. With a background in fashion design and a lineage of artistic prowess, Mata views Dubai as a vital next step in their journey after a successful debut in Jakarta. She cites renowned designer Michael Cinco as an inspiration, adding that “every opportunity spells success” for Filipino artists.
Another artist, Susan Villanueva de Guzman, who has lived in the UAE for many years, shared her passion for cultural heritage through her work. Her students from the Higher Colleges of Technology have successfully qualified for various international competitions, marrying their technical skills with a zest for sharing Filipino narratives. The exhibition, she claims, ignites her desire to convey stories about their personal journeys and Philippine traditions.
Kath Magpantay, known for her “Kayumanggi” series involving acrylic painting, was encouraged by her friends to take the leap into the expansive world of contemporary art. Combining her poetic interpretation of the “Brown Filipina” with her visual art, she was elated to find out that she was selected by the jury for this significant event, further affirming the power of community support.
The art scene in the UAE has been transformative, and Carlo Garrido, a dedicated art collector, has been an integral player in this evolution. Since establishing his Dubai-based art studio, Spectro Lucid, in 2005, he has been pivotal in guiding Filipino representation at international platforms. Garrido himself is the “lone Filipino gallery,” showcasing unique pieces and encouraging others to join in the visual dialogue.
Gene Villasper, another Filipino contemporary artist, is noted for her impressive cubist and surrealist depictions of women. She embodies the spirit of innovation that characterizes this collective, remarking on the underrepresentation of Filipino arts among other national pavilions. A recent significant achievement for the Philippine contingent was a sale worth six figures UAE Dirham for the piece “First Steampunk Rebellion” by Nestor Perez Ong, a testament to the talent flourishing within the community.
At the heart of the Philippine Pavilion’s showcase will be Ong’s centerpiece artwork, “Pecto’s Inferno.” This monumental piece, spanning 5 feet by 9 feet, serves as a modern reflection of Dante’s literary explorations, cleverly incorporating elements from Ong’s life with his twelve cats. The intricacies of this piece were brought to life over a six-month creation period, yielding a stunning artwork that embodies both cultural depth and artistic dedication.
Contributions continue to pour in from artists like Ding “Dingroy” Royales, a nursing professional and University of the Philippines graduate whose vivid works, often displayed in public spaces, showcase his dynamic artistry. He and many others join the exciting narrative of the Pavilion, emphasizing inclusivity and broad appeal while celebrated for their individual stories and expressions.
Diving into the inner worlds painted by artists like Thierry Bouvard, a Filipino-Swiss artist on the autism spectrum, the Pavilion reflects an expansive variety of perspectives and experiences. His works, created with colored pencils, highlight his unique observations of the world, reinforcing the inclusive spirit that guides this artistic movement.
Ombok Villamor, an architecture graduate turned contemporary artist, also contributes to the Pavilion with his beautifully crafted metal sculptures, echoing the underwater themes inspired by his past. His journey symbolizes resilience and creativity, marking yet another facet of the diverse Filipino representation within the art community.
